All of sudden, it seems like luxury clothing brands have fallen head over heels for anime. The brands’ devotion is so profound that, of course, they have to pay homage to their favorite shows via new purses, shoes, capes, and cardigans. The resulting lines are, of course, glorious—too bad they’re so expensive that the…
Fake news can travel fast on Twitter when amplified by likes and retweets, but now you'll be alerted if you've been an accessory to one of those lies. Starting today, you'll be notified if a tweet you've liked, replied to or retweeted receives a Community Note showing possible misinformation, the company said in a tweet spotted by TechCrunch.
"Starting today, you’ll get a heads up if a Community Note starts showing on a Tweet you’ve replied to, Liked or Retweeted. This helps give people extra context that they might otherwise miss," Twitter's Community Notes account tweeted. CEO Elon Musk lauded the effort in a quote tweet, calling Community Notes a "game changer for combating wrong information."
Starting today, you’ll get a heads up if a Community Note starts showing on a Tweet you’ve replied to, Liked or Retweeted. This helps give people extra context that they might otherwise miss. pic.twitter.com/LIcGgl2zdJ
— Community Notes (@CommunityNotes) February 21, 2023
Community Notes launched in 2021 as Birdwatch, a "community-driven approach" that crowdsources fact checks directly from other Twitter users. Twitter now relies on it more than ever, though, as it has laid off a large number of content moderators. Notes are viewable by all users across the globe, but only people from the US, UK, Ireland, Australia and New Zealand can contribute them at the moment.
Since they're crowdsourced, Community Notes are far from reliable. In a recent example, a researcher investigating Twitter Blue noted that a number of high-profile accounts including Tesla had halted their subscriptions to the service. A Community Note insisted that was wrong, because Tesla was already a verified business, so it couldn't also be subscribed to Twitter Blue. However, Twitter's own data via its official API showed that Tesla did indeed unsubscribe from Twitter Blue, and the Community Note was subsequently removed.
The prize for the most disgusting use of ChatGPT yet goes to Vanderbilt University, which used the chatbot to generate an email to students about the Feb. 13 mass shooting at Michigan State University.
TikTok has launched its research API and has started giving more people access to its data as part of its "continued commitment to transparency and accountability," the ByteDance-owned service says. The short-form video hosting app has been beta testing its API since last year with help from members of its Content and Safety Advisory Councils. Now, it's expanding the API's availability to researchers affiliated with non-profit academic institutions in the US.
Any proposal submitted by interested universities and researchers will have to be approved by its US Data Security (USDS) division, the new subsidiary TikTok established to comply with national security reviews in the United States. Those that do get approved will get access to public account and content information users post on the app, such as the details found on user profiles, comments, likes and favorites. TikTok's API could give researchers a look into the social media usage of the younger generation and an alternative source of information overall. Other social networks also offer research APIs, but in Twitter's case at least, people will soon have to pay to be able to use it.
The service is giving more outsiders a look into the data it has access to at a time when it's desperately trying to prove that it's not a threat to national security. It has spent years negotiating with the US government, but several states have recently prohibited the app's installation on government-owned phones, and it's is still facing calls for a total ban in the country.
This week, the Supreme Court is hearing two cases that could upend the way we’ve come to understand freedom of speech on the internet. Both Gonzalez v. Google and Twitter v. Taamneh ask the court to reconsider how the law interprets Section 230, a regulation that protects companies from legal liability for…
Bungie has been embroiled in a legal battle with cheat provider AimJunkies since 2021, with both sides slapping the other with lawsuits. Now, the game developer has walked away with $4.3 million in damages and fees after a victory in an arbitration proceeding, according to TorrentFreak. Bungie first sued AirmJunkies in 2021, accusing it of copyright and trademark infringement for hosting "Destiny 2 Hacks" on its website.
US District Court Judge Thomas Zilly ruled mostly in favor of AimJunkies last year, deciding that Bungie had failed to provide sufficient evidence to prove its claim. However, he gave Bungie the chance to present more evidence. That copyright infringement lawsuit is still headed to trial, but Zilly apparently referred the non-copyright-related aspects of the case to arbitration.
TorrentFreak says arbitration Judge Ronald Cox has decided that AimJunkies and "Destiny 2 Hacks" developer James May violated the Digital Millennium Copyright Act (DMCA). Cox based his decision on May's previous testimonies that he connected reverse engineering tools to the game in order to create cheats for it. May also said that Bungie caught and banned him several times for doing so, but that he looked for methods to circumvent the bans.
Since AimJunkies sold and profited from May's creation, the judge found it liable. Cox also found AimJunkies and its parent company Phoenix Digital Group liable for selling not just game cheats, but also the loader used to inject cheats into games. Based on evidence presented, AimJunkies sold over 1,000 copies of the cheats and over 1,000 copies of the cheat loader. In addition to the evidence and May's statements, one other reason why Cox sided with Bungie was because AimJunkies owner David Shaefer underreported the website's cheat sales. "Given respondents' egregious and willful conduct, including their ongoing concealment of sales, Bungie is entitled to the full statutory damages available," he wrote in his decision.
As a result, Bungie was awarded $3.65 million for all DMCA-related violations and an additional $700,000 for fees and other costs. According to TorrentFreak, Bungie will use this victory as part of its argument in AimJunkies' countersuit in which it accused the developer of violating its ToS for reverse-engineering its cheat software. AimJunkies also previously claimed that Bungie illegally hacked May's computer, but the court dismissed that complaint last year.
You can now test your racing skills against Sony AI’s GT Sophy – the one already wiping the floor with folks who get paid to play this professionally – when it arrives in today’s update for Gran Turismo 7 on the PlayStation 5 today. Players will face off against four GT Sophy AI opponents, all with vehicles specced slightly differently. There will be a four-circuit series separated by difficulty, too. The GT Sophy races will only be available until the end of March.
Meanwhile, an amateur Go player beat a highly-ranked AI system after exploiting a weakness discovered by a second computer. By exploiting the flaw, American player Kellin Pelrine defeated the KataGo system decisively, winning 14 of 15 games without further computer help.
It's a rare Go win for humans since AlphaGo's milestone 2016 victory. FAR AI developed a program to probe KataGo for weaknesses. The trick was to create a large "loop" of stones to encircle an opponent's group, then distract the computer by making moves in other areas of the board. Even when its group was nearly surrounded, the computer failed to notice. Now we just need to figure out how to use this strategy on the Gran Turismo circuit…
– Mat Smith
The Morning After isn’t just a newsletter – it’s also a daily podcast. Get our daily audio briefings, Monday through Friday, by subscribing right here.
Sonos' upcoming Era 300 and 100 speakers revealed in nearly full detail
Rode claims its new podcast-friendly NT1 offers 'unclippable' audio
Microsoft makes 10-year Call of Duty pact with Nintendo
IKEA's Sonos-powered picture frame speaker is $65 off
OnePlus has teased a version of its latest phone, the OnePlus 11 Concept, with... lots of LED lights. The "flowing back" has a unibody glass design with a meandering stream-type LED lighting pattern with a ring around the camera module. (Yes, it does remind us a little of the Nothing Phone 1's transparent, light-up back.) It will be revealed on February 27th at Mobile World Congress (MWC) 2023 in Barcelona.
Fellow has a proven track record for well-designed, sturdy coffee gear. The company makes everything from travel mugs to kettles, including a grinder primarily designed to prepare beans for pour-over. Fellow’s second grinder is more versatile, used to prep beans for nine-bar espresso in addition to pour-over, French press, cold brew and much more. It’s consistent, easy to use and, well, stylish.
Google Chrome has increasingly become a resource hog over the years, vacuuming up more and more of your system's memory and battery life with reckless abandon. Now, Google is doing something about it. As part of Chrome 110 for Windows, Mac and Chromebook desktops, the company is rolling out memory- and energy-saver modes. The features, which Google announced in December, are now enabled by default. You can turn them off in the Performance section of Chrome settings. Memory Saver puts inactive tabs on ice to free up RAM for other pages and apps. When you click on a frozen tab, you'll be able to continue from where you left off.
Phone numbers are a finite resource. So when one goes out of a service, there’s a good chance telecom companies will reuse it for a new phone plan. That can be a big problem on WhatsApp. In some cases, if you get your hands on a phone number that was tied to an existing WhatsApp account, you can hijack it and assume…
A solid six percent of Americans think they can out-punch a Grizzly bear, another one in eight men think they can beat 23-time grand slam champion Serena Williams at tennis. On February 21st, this proud internet tradition of being very loud and very wrong about your physical prowess continues! On Tuesday, gamers around the world will get their shot at racing Sony AI’s GT Sophy — the one that’s already wiping the floor with folks who get paid to play this game professionally — when it arrives in the rev1.29 update for Gran Turismo 7 on the Playstation 5.
GT7 players will be able to access a special “Gran Turismo Sophy Race Together” mode from February 21st at 1am ET, when the update arrives. Players will face off against four separate GT Sophy AI opponents, all of whom’s vehicles are specced slightly differently so you’re not going up against a quartet of clones, in a four-circuit series striated by difficulty (beginner-intermediate-expert).
“The difference [between racers] is that, it's essentially the power you have versus the other cars on the track,” Michael Spranger told Engadget. “You have different levels of performance. In the beginning level, you have a much more powerful vehicle — still within the same class, but you're much faster [than your competition].” That performance gap continues to shrink as you move up in difficulty until you reach the one v one against GT Sophy in identically specced vehicles.
The Sophy you race here is the exact same Sophy that’s been winning against the pros, Peter Wurman explained. The AI has not been hobbled or dumbed down in any way ahead of this release. “The power the player has is a car advantage, which allows them to be competitive, but otherwise, GT Sophy is the same. Really good driver, just all across the board.”
This is a limited-time event. The GT Sophy races will only be available until the end of March. The Sony AI team is time-limiting this initial release on account of a few technical reasons but, “mostly this is a new game design and we want to try it out, get feedback, and then take what we learned and iterate on that,” Wurman explained. The team can’t share any specifics about where the program goes from here
“We believe this technology has a huge potential to really elevate player experience across different game types, different experiences,” Wurman continued. He notes that agent AIs like GT Sophy can accomplish a lot in terms of interacting with players but also sees related AI systems playing an expanded role as well. The “technology is really crucial for the content creation itself,” he said. “They're going to these race tracks, doing detailed capturing in order to create the environment and, speaking generally, you can imagine AI has a really big potential to help with many of those processes.”
If you’re thinking about grabbing a copy of the game ahead of tomorrow’s release, you’ll want to get some laps in before the update arrives. Only players who’ve reached Collector Level 6 will be qualified to race against the AI.
Scientists once thought that only humans and our closest relatives, chimps, were smart enough to use tools. But as our documenting of the natural world has gotten more detailed—and as we’ve become, perhaps, less haughty about our supposed superior intellect—we’ve found that many species are actually deft with sticks,…
Hey, if Twitter is making money from it, why not? Facebook’s parent company, Meta, announced its own Twitter Blue-like subscription called Meta Verified on Sunday morning. Mark Zuckerberg took to his newly launched broadcast channel to share the news, saying the subscription service would give users a blue badge, additional impersonation protection and direct access to customer support. Meta plans to test the subscription first in Australia and New Zealand before rolling it out to other countries. When Meta Verified does come to the US, it will cost $15 per month through the company's apps on iOS and Android. On the web, where app store commissions don't apply, the service will be $12 per month.
The company told Engadget the subscription will only be available to users 18 years or older. Meta will also require a government-issued ID that matches the Facebook or Instagram account’s profile name and photo. Once you're verified, you’re locked in to that profile name, username, date of birth and photo. If you want to change, you’ll have to go through the verification process again.
The blue tick on Twitter does come with the cringe-inducing text of: “This account is verified because it’s subscribed to Twitter Blue.” (And you know I click to check.) Will Meta take a similar approach? And can we stop our egos from chasing that Instagram blue tick? And by “we,” I mean… me.
– Mat Smith
The Morning After isn’t just a newsletter – it’s also a daily podcast. Get our daily audio briefings, Monday through Friday, by subscribing right here.
The best President's Day sales on tech we could find
Hitting the Books: Meet the man who helped Microsoft break into the entertainment business
A new Civilization game is in development
PlayStation VR2 review: A great headset that should be cheaper
While tablets don’t always get the same level of attention as smartphones or laptops – landing right in the middle in size and specs – they’ve become an increasingly important device for many, particularly with the shift to working and learning from home. There are a lot of options, so it can be difficult to pick the right one. We’ve done a bunch of the hard work for you, and we’ve got our top picks across a range of categories and prices, smartly timed after the release of the latest slates from both Apple and Samsung.
Viz Media has uploaded some of the most well-known anime series to YouTube, for free. You can watch Sailor Moon – the old series that aired in the ‘90s – Naruto, Death Note, Inuyasha, Hunter X Hunter and others on the publisher's account. Viz has organized the episodes into playlists. However, you’ll have to be in the correct region (North America, it seems) to get access. No free anime for us Brits at the moment.
Meta has set its sights on copying a new messaging app: Telegram. Mark Zuckerberg just showed off “broadcast channels,” a new Instagram feature that brings one-way messaging to the app. The company is testing the feature with a handful of creators and plans to bring the Telegram-like functionality to Facebook and Messenger as well. Broadcast channels allow creators to stream updates to their followers’ inboxes, much like channels on Telegram. Those who join the channels can react to messages and vote in polls, but can’t participate in the conversation directly.
NBA Hall of Famer Paul “The Truth” Pierce agreed to pay $1.4 million to settle charges from the Securities and Exchange Commission over a cryptocurrency he promoted on Twitter. The government agency found Pierce violated anti-touting and antifraud provisions of federal securities laws. Pierce’s case echoes Kim Kardashian’s $1.26 million settlement in October for plugging the same currency. Pierce and Kardashian were also sued last year for their involvement in the scheme.
Two months into 2023, and Marvel Season has returned, folks! Coming up to the stage as the first salvo of MCU content for the year is a surprise entry: Ant-Man & the Wasp: Quantumania. Originally set for 2022 before being kicked to summer 2023 and then swapping places with The Marvels’ February 2023 release date …
More than six years following the most recent entry in the series, Firaxis has confirmed it’s working on a new Civilization game. The studio didn’t share many details about the new title, but it did say that Ed Beach is the creative director of the project. Beach has more than 15 years of experience working on the franchise, including, most recently, as lead designer of Civilization VI.
Firaxis parent company Take-Two Interactive shared the news this week in a press release announcing a handful of staffing changes at the studio (via Eurogamer). Studio head Steve Martin is leaving Firaxis after serving nearly 17 years as the company’s president, a position he inherited from Firaxis co-founder Jeff Briggs in 2006. Heather Hazen, previously the studio’s chief operating officer, is taking over the day-to-day operations of Firaxis.
All gratitude. pic.twitter.com/pqe56mVvd5
— Jake Solomon (@SolomonJake) February 17, 2023
“I’m thrilled to have this opportunity to carry on the studio’s storied legacy, beginning with the announcement that Firaxis is in development on the next iteration of the legendary Civilization franchise,” Hazen said. “I’m lucky to be working with some of the best developers in our industry, and we have plans to take the Civilization franchise to exciting new heights for our millions of players around the world.”
On Friday, Firaxis also announced the departure of Jake Solomon. After 23 years, the designer, who was one of the studio’s best-known employees thanks to his work on the XCOM franchise and Marvel’s Midnight Suns, is leaving to pursue new opportunities. "I loved designing tactical turn-based games, but it's time for other, smarter people to push that space forward,” Solomon said on Twitter. “My brain is on fire with a new dream. Time to go chase it."
Everything Everywhere All at Once’s recognition during awards season has been nothing short of big. Between its GLAAD nomination, and pair of twins during the Golden Globes, the film seems poised to have some kind of triumph when the Oscars roll around, particularly since it 11 nominations,
The rumors were true: Facebook parent company Meta is preparing to launch a Twitter Blue-like subscription called Meta Verified. On Sunday morning, Mark Zuckerberg took to his newly launched broadcast channel to share the news. He said the subscription service would give users a blue badge, additional impersonation protection and direct access to customer support. "This feature is about increasing authenticity and security across our services," Zuckerberg said, adding Meta would test the subscription first in Australia and New Zealand before rolling it out to other countries. Meta Verified will cost $15 per month when users subscribe through the company's apps on iOS. On the web, where Apple's up to 30 percent commission on in-app purchases doesn't apply, the service will cost $12 per month. The subscription will cover both Instagram and Facebook accounts.
12 bucks a month to be verified on Facebook... I wonder if people will keep that same Twitter Blue outrage energy 😅 pic.twitter.com/ZPJsIHBerO
— Marques Brownlee (@MKBHD) February 19, 2023
Rumors that Meta was preparing to trial a paid verification service started to swirl at the beginning of February when reverse engineer Alessandro Paluzzi discovered code referencing "paid blue badge" and "identity verification."
Developing...
Ever since the first trailer for Dungeons & Dragons: Honor Among Thieves revealed itself in its goofy, sometimes quippy glory, there’s been a question about if the marketing was hiding some meta elements. While recent TTRPG hits like Critical Role have played things straight, being meta is still fairly common when…
Some of us are destined to lead successful lives thanks to the circumstances of our birth. Some of us, like attorney Bruce Jackson, are destined to lead such lives in spite them. Raised in New York's Amsterdam housing projects and subjected to the daily brutalities of growing up a black man in America, Jackson's story is ultimately one of tempered success. Sure he went on to study at Georgetown Law before representing some of the biggest names in hip hop — LL Cool J, Heavy D, the Lost Boyz and Mr. Cheeks, SWV, Busta Rhymes — and working 15 years as Microsoft's associate general counsel. But at the end of the day, he is still a black man living in America, with all the baggage that comes with it.
In his autobiography, Never Far from Home (out now from Atria), Jackson recounts the challenges he has faced in life, of which there are no shortage: from being falsely accused of robbery at age 10 to witnessing the murder of his friend at 15 to spending a night in lockup as an adult for the crime of driving his own car; the shock of navigating Microsoft's lillywhite workforce following years spent in the entertainment industry, and the end of a loving marriage brought low by his demanding work. While Jackson's story is ultimately one of triumph, Never Far from Home reveals a hollowness, a betrayal, of the American Dream that people of Bill Gates' (and this writer's) complexion will likely never have to experience. In the excerpt below, Jackson recalls his decision to leave a Napster-ravaged music industry to the clammy embrace of Seattle and the Pacific Northwest.
Excerpted from Never Far From Home My Journey from Brooklyn to Hip Hop, Microsoft, and the Law by Bruce Jackson. Published by Atria Books, an imprint of Simon & Schuster. Copyright © 2023 by Bruce Jackson. All rights reserved.
“We gotta figure out a way to stop this.”
In the late 1990s, the digital revolution pushed the music business into a state of flux. And here was Tony Dofat, sitting in my office, apoplectic, talking about how to stop Napster and other platforms from taking the legs out from under the traditional recording industry.
I shook my head. “If they’re already doing it, then it’s too late. Cat’s out of the bag. I don’t care if you start suing people, you’re never going back to the old model. It’s over.”
In fact, lawsuits, spearheaded by Metallica and others, the chosen mode of defense in those early days of the digital music onslaught, only served to embolden consumers and publicize their cause. Free music for everyone! won the day.
These were terrifying times for artists and industry executives alike. A decades-old business model had been built on the premise that recorded music was a salable commodity.
Artists would put out a record and then embark on a promotional tour to support that record. A significant portion of a musician’s income (and the income of the label that supported the artist) was derived from the sale of a physical product: recorded albums (or singles), either in vinyl, cassette, or compact disc. Suddenly, that model was flipped on its head... and still is. Artists earn a comparative pittance from downloads or streams, and most of their revenue is derived from touring, or from monetizing social media accounts whose numbers are bolstered by a song’s popularity. (Publicly, Spotify has stated that it pays artists between $.003 and $.005 per stream. Translation: 250 streams will result in revenue of approximately one dollar for the recording artist.)
Thus, the music itself has been turned primarily into a marketing tool used to entice listeners to the product: concert and festival tickets, and a social media advertising platform. It is a much tougher and leaner business model. Additionally, it is a model that changed the notion that record labels and producers needed only one decent track around which they could build an entire album. This happened all the time in the vinyl era: an artist came up with a hit single, an album was quickly assembled, often with filler that did not meet the standard established by the single. Streaming platforms changed all of that. Consumers today seek out only the individual songs they like, and do it for a fraction of what they used to spend on albums. Ten bucks a month gets you access to thousands of songs on Spotify or Pandora or Apple Music roughly the same amount a single album cost in the pre-streaming era. For consumers, it has been a landmark victory (except for the part about artists not being able to create art if they can’t feed themselves); for artists and record labels, it has been a catastrophic blow.
For everyone connected to the music business, it was a shock to the system. For me, it was provocation to consider what I wanted to do with the next phase of my career. In early 2000, I received a call from a corporate recruiter about a position with Microsoft, which was looking for an in-house counsel with a background in entertainment law — specifically, to work in the company’s burgeoning digital media division. The job would entail working with content providers and negotiating deals in which they would agree to make their content — music, movies, television shows, books — available to consumers via Microsoft’s Windows Media Player. In a sense, I would still be in the entertainment business; I would be spending a lot of time working with the same recording industry executives with whom I had built prior relationships.
But there were downsides, as well. For one thing, I was recently married, with a one-year-old baby and a stepson, living in a nice place in the New York City suburbs. I wasn’t eager to leave them—or my other daughters—three thousand miles behind while I moved to Microsoft’s headquarters in the Pacific Northwest. From an experience standpoint, though, it was almost too good an offer to turn down.
Deeply conflicted and at a crossroads in my career, I solicited advice from friends and colleagues, including, most notably, Clarence Avant. If I had to name one person who has been the most important mentor in my life, it would be Clarence, “the Black Godfather.” In an extraordinary life that now spans almost ninety years, Clarence has been among the most influential men in Black culture, music, politics, and civil rights. It’s no surprise that Netflix’s documentary on Clarence featured interviews with not just a who’s who of music and entertainment industry superstars, but also former US presidents Barack Obama and Bill Clinton.
In the early 1990s, Clarence became chairman of the board of Motown Records. As lofty a title as that might be, it denotes only a fraction of the wisdom and power he wielded. When the offer came down from Microsoft, I consulted with Clarence. Would I be making a mistake, I wondered, by leaving the music business and walking away from a firm I had started? Clarence talked me through the pros and cons, but in the end, he offered a steely assessment, in a way that only Clarence could.
“Son, take your ass to Microsoft, and get some of that stock.”
The National Highway Traffic Safety Administration just forced Tesla to recall some 362,000 vehicles in the U.S. due to a software problem with its “Full Self Driving” feature. Regulators say the feature could lead to crashes. Though a novel reason for an automotive recall, this is far from the first time the electric…
Valve is giving Steam Deck users with slow internet connections or bandwidth caps a new way to install games on their devices. The latest Steam and Steam Deck betas add local network game transfers, a feature that allows you to copy existing files from one PC to another over a local area network. Valve says the tool can reduce internet traffic and lessen the time it takes to install games and updates since you can use it to bypass the need to connect to a Steam content server over the internet.
Hello! We've just shipped a Beta update to Steam and Steam Deck that includes a new feature: Local Network Game Transfers.
— Steam Deck (@OnDeck) February 17, 2023
This allows Steam users to install games directly from one PC to another over a local network, without having to download and install from the internet. pic.twitter.com/bv9xThZCoS
“Local Network Game Transfers are great for Steam Deck owners, multi-user Steam households, dorms, LAN parties, etc,” the company points out. “No more worries about bandwidth or data caps when all the files you need are already nearby.” Once you’ve installed the new software on your devices, Steam will first check if it can transfer a game installation or set of update files over your local network before contacting a public Steam content server. If at any point one of the devices involved in the transfer is disconnected from your local network, Steam will fall back to downloading any necessary files from the internet.
By default, the feature is set to only work between devices logged into the same Steam account, but you can also transfer files between friends on the same local area network. It’s also possible to transfer to any user on the same network, which is something you would do during a LAN tournament. Valve has published a FAQ with more information about local network game transfers, including details on some of the limitations of the feature, over on the Steam website.
Big Red is coming back to theaters. Deadline confirmed that a new Hellboy movie, subtitled The Crooked Man, is about to start production. Earlier in the week, rumors began swirling around about its existence courtesy of Discussing Film, but distributor Millennium (which bought the film rights for Hellboy in 2018)…
